Scribble…BUMP…scribble…BUMP! There’s all sorts of etiquette to trying to write a review. Given that some people – not entirely without...
Sugarcane‘s Cat’s Eyes is an album propelled forward by the loss of one bass guitar in South America and a...
One of the voices of the year is surely that of Tristan Carter-Jones, the singer songwriter of Brooklyn band Dakota...
As the world tries to find ways of going forward, so long-established events like the Edinburgh International Festival have come...
This author was a little apprehensive the first time he listened to ‘The Spy Who Came in From the Cold’,...
So happy to report that Omaloma’s new single ‘Cool ac yn Rad’ (Cool and Rad) out today, is bloody gorgeous....
Back in 2004, I interviewed The Alarm‘s frontman Mike Peters. His band had just rather wonderfully shown up the music...
Nobody works harder than Frank Turner and the proof is right there in the fact that pre-pandemic, he’d played over...
The last time this author saw Karine Polwart live was in late 2019. She was promoting her then-latest album Scottish...
As we staggered away from the stage following Deafheaven’s extraordinary set at Bangkok’s 2019 Maho Rasop festival – possibly the...
The fifth album from Derbyshire electronica trio Haiku Salut is a convergence of everything they have been before and an...
Having just returned from Green Man only 24 hours beforehand, there are clearly marked differences between that festival and this...
There’s always the risk of taking things out of context. If you walked past the open-air tent where tonight’s gig...
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I am usually drawn into music in one of two ways. It either reminds me of something I already know...
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Classically trained Estonian singer, violinist and musical polymath Maarja Nuut makes sounds that transcend the physical limitations of space and...
